All the oil paintings of Samuel John Peploe

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ID	Image	Painting(From A to Z)	Details
39314		Barra	mk147 1903 Scottish National Gallery of Modern Art Edinburgh
39333		Boats at Royan	mk147 1910 Oil on board 29x33
39317		Etaples	mk147 c.1906 Scottish National Gallery of Modern Art
50545		Freeden gallop	mk212 c.1862 54.6x66cm
39330		Girl in White	mk147 1907 Oil on canvas 84.5x61.5cm
39336		Green Sea,Iona	mk147 c.1920 Oil on canvas 50.8x60.9cm
39322		Ile de Brehat	mk147 1911 Scottish National Gallery of Modern Art.
39337		Kirkcudbright	mk147 c.1919 Oil on canvas 55.9x63.5cm
39340		Landscape at Cassis	mk147 1924 Oil on canvas 55.6x45.7cm
39341		Palm Trees,Antibes	mk147 1928 Oil on canvas 61.5x51.5cm
39318		Park Scene	mk147 1910 Kirkcaldy Museum and Art Gallery
39327		Roses in a Blue and White Vase,Black Background	mk147 c.1904 Oil on canvas 40.6x45.5cm
39312		Self-Portrait	mk147 c.190 Scottish National Gallery of Modern Art.
39335		Still Life	mk147 c.1913 Oil on canvas 55x46 Scottish National Gallery of Modern Art.
39339		Still Life Roses and Book	mk147 c.1920 Oil on canvas 73.7x60
39329		Still Life with Coffee Pot	mk147 c.1905 Oil on canvas 61x82.5cm
39331		Street Scene,France	mk147 c.1910 Oil on canvas 34x26.5cm
39328		The Black Bottle	mk147 c.1905 Oil on canvas 50.8x76.2cm
39326		The Lobster	mk147 c.1903 Oil on canvas 40.7x50.8cm
39332		The Luxembourg Gardens	mk147 c.1910 Oil on panel 35.5x28cm
39334		Tulips and Cup	mk147 c.1912 Oil on canvas 45.6x40.6cm
39338		Tulips and Fruit	mk147 c.1919 Oil on canvas 58x48

Samuel John Peploe
Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.